Search for tag "Music"

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1. African Culture, Traditional, Aspects of, by Universal House of Justice (1998-12). Challenges and opportunities in the African continent; eliminating prejudices; dance and music; alcohol; hunting; initiation rites; the supernatural; tribal leadership; status of women. [about]
2. Bahá'í Classes Songsheets (2008). Compilation of 99 songs, with lyrics and chords to songs by Gloria Faizi, Red and Kathy Grammer, Kathy Liebman, Cat Winterfox, Jackie Elliot, Tom Price, Steve Seskin, Allen Shamblin, Mildred McClellan, Wiley Rinaldi, Bob Simms, Lloyd Haynes, et al. [about]
3. Bahá'í Hymns of Peace and Praise, by Louise R. Waite (1908). Fourteen hymns, with sheet music. [about]
4. Bahá'í Hymns, The: Explanations and Meanings, by Anonymous (n.d.). Four page summary of some Bahá'í hymns, followed by study questions. [about]
5. Bahá'í Influences on Mirza 'Abdu'llah, Qajar Court Musician and Master of the Radíf, by Margaret Caton, in Studies in the Bábí and Bahá'í Religions, Volume 2 (1984). The mystical milieu of musicianship and the Bahá'í Faith's approval of music (in contradistinction to the legalistic Islam of the ayatu'llahs, which forbade it) made the Faith appealing to Abdu'llah, one of the great compilers of the Persian repertoire. [about]
6. Bahá'í or Spiritual Themed Musical Works, by Michael Knopf (1990-2018). Dozens of musical scores in .pdf and .musx formats, drawn from a lifetime of original music, from a large scale oratorio to smaller choral pieces and didactic work, written by a composer and concert guitarist. [about]
7. Bahá'í Song Book (2005). Lyrics to 95 popular Bahá'í songs, including prayers and writings that are often sung. [about]
8. Bahá'í Songs with Guitar Chords (2008). Compilation of 78 songs, with lyrics and chords to many songs, mostly Bahá'í, but including some popular children's songs. Authors' names not included. [about]
9. Baha'i Songs with Sheet Music (n.d.). 49 songs with music. [about]
10. Brief Account of My Visit to Acca, A, by Mary L. Lucas (1905). Detailed notes of a visit to Haifa, January-February 1905, and Abdu'l-Bahá's interpretations of several passages from the Bible. [about]
11. Can There Be a Bahá'í Poetry?, by Geoffrey Nash, in Bahá'í World, Vol. 17 (1976-1979) (1981). The poetic vision; poetry in the 1800s; themes of Bahá'í poetry; the use of profane imagery. [about]
12. Considerations in Setting Sacred Text to Music for the Mashriqu'l-Adhkar, by R. Jackson Armstrong-Ingram, in Arts Dialogue (1996). The relationship of music to the Mashriqu'l-Adhkar as a place and as a gathering of people, and a proposed set of 'rules' that can aid the conscious development of a Bahá'í devotional music. [about]
13. Creation, by Lasse Thoresen, in Journal of Bahá'í Studies, 12:1-4 (2002). Contributing to the creation of a new civilization as a researcher or an artist means participating in the process of never-ending unfolding; the divine names are the eternal archetypes organizing the material world; dialogue between thinking and reality. [about]
14. Creative Circle, The: Art, Literature, and Music in Baha'i Perspective (1989). Essays on the arts including poetry, music, film, etc. and their role in the Bahá'í community. [about]
15. Creative Circle: Art, Literature and Music in the Bahá'í Perspective, ed. Michael Fitzgerald: Review, by Phyllis Sternberg Perrakis, in Journal of Bahá'í Studies, 2:2 (1989-1990). [about]
16. Cultural Diversity in the Age of Maturity, by Bahá'u'lláh and Abdu'l-Bahá, in Compilation of Compilations, Volume 3 (2000). [about]
17. Dimensions of Spirituality: Reflections on the Meaning of Spiritual Life and Transformation in Light of the Bahá'í Faith, by Jack McLean (1994). The search for truth; models and profiles of spiritual transformation; the mystical sense — prayer and meditation; a paradigm of spirituality and life tests; spiritual anthropology — the self and the soul; imagination; faith, love, and knowledge. [about]
18. Divine Melody: Song of the Mystic Dove (2022). Selections from the Writings that refer to the Word of God as music emanating from the mystic dove or the Nightingale of Paradise, and the Divine Word as a melody calling for us to spread the Word in song and praise. [about]
19. Encyclopaedia Iranica: Selected articles related to Persian culture, religion, philosophy and history, by Encyclopaedia Iranica, in Encyclopaedia Iranica (1982-2023). Sorted, categorized collection of links to over 170 articles. [about]
20. Foreword, by Charles Wolcott, in The Creative Circle, ed. Michael Fitzgerald (1989). Essay on the meaning of music, and the dynamics of artistic endeavor in the context of the pull toward community, by a member of the Universal House of Justice, who passed away the very day he dictated this essay. Includes preface by Michael Fitzgerald. [about]
21. Gillespie, Dizzy, by Barry Kernfeld, in American National Biography Online (2000). Gillespie (1917-1993) was an American jazz trumpeter, bandleader, and composer; his acceptance of the Bahá'í Faith is briefly mentioned.  [about]
22. Groovin' High: The Life of Dizzy Gillespie, by Alyn Shipton (2001). Roughly 2-3 page excerpt from book. [about]
23. Groovin' High: The Life of Dizzy Gillespie, by Alyn Shipton: Review, by Brad Pokorny, in One Country, 11:2 (1999-07). [about]
24. Harvard Pluralism Project: Baha'i (2023). Six overview essays on Bahá'í history, beliefs, and practices. (Offsite) [about]
25. Hearing "The Divinity in the Music": Dizzy Gillespie Remembered at 100, by Bahá'í World News Service, in Bahá'í World (2017-10-06). Reflections on the life of Gillespie and how his Baha’i beliefs seemed to inspire and drive his work. Includes photographs. [about]
26. Hidden Words and Sounds: Tracing Iranian Legacies and Traumas in the Music of the Bahá'ís of North America, by Daniel Akira Stadnicki (2019). On the legacy of Persian culture, aesthetics, and history of religious persecution as reflected in Bahá'í American music; themes of religious oppression, persecution, and martyrdom; Iranian diaspora, transnational music-making, and cosmopolitanism. [about]
27. Inayat Khan's meeting with 'Abdu'l-Bahá in Paris, by Inayat Khan (1913). One-paragraph recounting of Khan, the founder of "Universal Sufism," meeting with Abdu'l-Bahá in 1913. [about]
28. Instrument of Music, The: A Musical Comedy, by Sarah Munro and David Cerpa (2019-11). Dramatization of the role of music in the expansion and consolidation of Bahá’í communities, drawing on the example of Latin America, and the impact and use of music to contribute to the growth of any community. [about]
29. Keys to Harmony, by Daniel C. Jordan (n.d.). Ways of bringing harmony into the world, using musical analogies. [about]
30. Laws Abrogated by Bahá'u'lláh (2018/2020). Laws abolished from previous religions and from the Bayán. [about]
31. Lights of Guidance: A Bahá'í Reference File, by Bahá'u'lláh and Abdu'l-Bahá (1988). The classic Bahá'í reference book. This is its first online edition. [about]
32. List of Articles on BahaiTeachings.org, by Christopher Buck (2020). List of online essays and articles by Christopher Buck since 2014. [about]
33. Messages from the Universal House of Justice 1963-1986: Third Epoch of the Formative Age, by Universal House of Justice (1996). [about]
34. Most Great Peace (a rap), by Brett Zamir (2007). [about]
35. Music, by Bahá'u'lláh and Abdu'l-Bahá, in Compilation of Compilations, Volume 2 (1991). [about]
36. Music Lyrics, Singing, and Dancing at Feast, by Universal House of Justice (1994-03). Bahá'ís may incorporate music, singing, and dancing into the spiritual portions of the community devotional meetings. [about]
37. Music Reviews: Five New Recordings of Bahá'í Music, by Simon Maw hinney, in Bahá'í Studies Review, 8 (1998). Reviews of Songs of the Ancient Beauty, Lift up Your Hearts and Sing, The Prince of Peace, Here at Black Mesa, and From the Sweet-Scented Streams of Eternity. [about]
38. Music Reviews, by Simon Maw hinney, in Bahá'í Studies Review, 9 (1999). Reviews of recordings by Bahá'í artists Geoff and Michaela Smith; Chris Ruhe; Kamran, Khodjasteh, and Averill; Ben Koen and the Unity Ensemble; and Merz. [about]
39. Music, Devotions, and Mashriqu'l-Adhkar, by R. Jackson Armstrong-Ingram, in Studies in Babi and Bahá'í History, volume 4 (1987). An in-depth examination of the development of music and hymns within American Bahá'í devotional life, some history of the Chicago community, and the architecture and construction of the Wilmette temple. Includes sheet music and design plans. [about]
40. Music, Devotions, and Mashriqu'l-Adhkár, by R. Jackson Armstrong-Ingram: Review, by Robert Stockman, in Journal of Bahá'í Studies, 1:2 (1988). [about]
41. Of Paramount Importance: Addressing the Paucity of Music in Bahá'í Devotional Practice, by Michael Knopf, in Australian Bahá'í Studies, vol. 2 (2000). Short overview of the use of music in Bahá'í feasts, holy day celebrations, and temples. [about]
42. Path to God, The: 1956, by Dorothy Baker, in Bahá'í World, Vol. 12 (1950-54) (1956). Some elements for spiritual success: power through prayer and nine benefits of prayer, victorious living, and immortality. [about]
43. Paucity of Music in Bahá'í Devotional Practice and Considerations in the Composition of Music for Bahá'í Devotional Purposes, The, by Michael Knopf (1999). Devotional music in Western communities is limited to local and popular expressions and Eastern chant; it is inconsistent. This study proposes ways in which music can be composed to meet these limitations within the guidelines found in the Writings. [about]
44. Perfection and Refinement: Towards an Aesthetics of the Bab, by Moojan Momen, in Lights of Irfan, 12 (2011). The writings of the Bab have implications for the "plastic" arts; significance for native traditions; relevance to the performing arts; and the concept of refinement which comes across in both the person and the writings of the Báb. [about]
45. Remember Bill Sears: musical meditations, by William Sears (n.d.). Four musical pieces accompanying selections from the speeches of Sears. [about]
46. Return of the Dreamtime, by Pym Trueman, in The Family: Our Hopes and Challenges (1995). Brief history of Christianity and missionary work in Samoa and Australia, and how native Samoan customs and beliefs were changed or lost. [about]
47. Role of Music in the Advancement of Civilization, The, by Kerry Hart, in Journal of Bahá'í Studies, 2:1 (1989). Music is interrelated with feeling, value, and the very sense of self-identity. Nurturing an individual's sense of self-knowledge leads to mental and spiritual growth. Music, and its affect on the human soul, can be a foundation for philosophical inquiry. [about]
48. Sacred Refrains: Arabic and Persian Dhikrs in the Bahá'í Community, by Margaret Caton (2024). introduction to dhikr (remembrances) and the use of music in Bahá'í spiritual practices; 74 recordings from 58 sacred texts, including original Arabic and Persian languages with English translation, music transcription, and historical context. [about]
49. Temple Song, by Louise R. Waite, in Bahá'í News, 1:4 (1910-05-17). Sheet music and audio for an early American Bahá'í song. [about]
50. Universality of the Laws of the Kitáb-i-Aqdas, The, by Bijan Samali, in The Kitáb-i-Aqdas: Studies from the First National Conference on the Holy Book, vol. 1 (1996). The laws of the Aqdas focus on the individual; are applicable to everyone; facilitate the realisation of the oneness of human race; ensure the equality of the sexes; are adaptable to cultural diversities; and call for the elimination of all prejudices. [about]
51. Wildfire: Reflections on Music, Drama, and Dance, by Istvan Dely (2006). Istvan Dely's reflections on music, dance and drama within the Bahá'í community. [about]

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