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Search for tag "Bahiyyih Nakhjavani"

from the chronology

date event locations tags see also
1951 3 Aug The establishment of the Faith in Uganda with the arrival of Mr. Músá Banání, his wife Samí'ih Banání, their daughter, Mrs. Violette and her husband, Mr. Ali Nakhjavani, of Iran, with their baby daughter Bahiyyih, and Mr. Philip Hainsworth who arrived in Kampala from England. [Wiki Bahá'í Uganda] Kampala; Uganda; Africa Musa Banani; Violette Nakhjavani; Ali Nakhjavani; Bahiyyih Nakhjavani; Philip Hainsworth; Knights of Bahaullah; Sami'ih Banani

from the main catalogue

  1. Artist, Seeker and Seer: A vocabulary and a perspective for the appreciation and creation of art inspired by the Bahá'í Writings, by Bahiyyih Nakhjavani, in Bahá'í Studies, 10 (1982). Imagery and metaphors from the Baha'i Writings guide the appreciation and creation of art. They demonstrate that criticism vs creativity, logic vs. passion, and historicity vs. poetry have already been brought to a state of unity. [about]
  2. Emergence of a Bahá'í Consciousness in World Literature: The Poetry of Roger White, by Ron Price (2002). A study of White's verse with a short biography and an analysis of the Baha'i Faith. [about]
  3. Exemption, by Bahiyyih Nakhjavani, in Bahá'í Studies Review, 3:1 (1993). Thoughts on Bahá'u'lláh's meaning in "exempting" women from certain Bahá'í obligations, especially pilgrimage. [about]
  4. Greatest Holy Leaf, The, by Bahiyyih Nakhjavani. [about]
  5. Postsecular Look at the Reading Motif in Bahiyyih Nakhjavani's The Woman Who Read Too Much, A, by Mary A. Sobhani, in Journal of Bahá'í Studies, 25:1-2 (2015). Nakhjavani’s historical novel includes metaphors that underscore a link between the secular and the sacred through the material and metaphysical act of reading; cf. McClure’s Partial Faiths: Postsecular Fiction in the Age of Pynchon and Morrison. [about]
  6. Response, by Bahiyyih Nakhjavani: Review, by Elizabeth Shema, in dialogue magazine, 1:1 (1986). [about]
  7. Saddlebag, The: A Fable for Doubters and Seekers, by Bahiyyih Nakhjavani: Review, by Carolyn See, in Washington Post (2000). [about]
  8. Silences of God, The: A Meditation, by Bahiyyih Nakhjavani, in Journal of Bahá'í Studies, 24:3-4 (2014). While the Word of God dominated the history of religion, contemporaries question the orthodoxy of language. God's Silence is also essential in shaping our individual choices and collective histories, and understanding Baha'u'llah's words. [about]
  9. Spiritual Inheritors, The, by Bahiyyih Nakhjavani, in dialogue magazine, 2:1 (1987). Reflections on growing up Baha'i, and a report on a conference about capturing the power of the Six Year Plan to focus attention on the role of women in establishing global peace, the destiny of the women of North America, and equality of sexes. [about]
 
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